This page showcases some of Roderick's most recent productions. Click on any image or title below to go to a gallery about that production.



 


(above) - Roderick
works the wheels and the Panasonic Varicam (24p) camera during the Feature shoot for "The Pact".

April, 2004 saw the production of the Music Video "So" for Platinum selling, metal band - Static-X. Prior to that R.E. Stevens lensed his 20th Feature Film, The Irish Vampire Goes West. Other recent programs have included three Music Videos,  a Short Film "To Charlie With Love" and Roderick's own "Cinemexoticatography" project - including Infrared, Timelapse, High-Speed, and Extreme Macro photography.

(left) - Roderick on the set of the York Entertainment Feature, Alien 51.

 
DECADE

Artist:     Taking Back Sunday   
Director: 
 Roderick E. Stevens
DP:     Roderick E. Stevens
Format:  Multiple formats including - 35mm (neg & reversal), 16mm B&W, Super 8mm, Claymation, Stills Animation, MiniDV

 
SO

Artist:     Static-X   
Director: Darren Lynn Bousman
DP:     Roderick E. Stevens
Format:  35mm
PLATEAU

Artist:     The Meat Puppets   
Director/DP:     Roderick E. Stevens

Format:  Mixed -  35mm color neg., 35mm Infrared, 16mm, Timelapse, Highspeed (3000 fps)

 
THE IRISH VAMPIRE
GOES WEST


Writer/Producer/Director:   Pegarty Long
Director Of Photography:   Roderick E. Stevens

Format:  S16mm

 
ALIEN 51

Producer:  Scott Pfeiffer
Directors:   Paul Wynne, Brennon Jones
Writer:       Brennon Jones
DOP:   Roderick E. Stevens

Format:  35mm (spherical)

 
CINEMEXOTICATOGRAPHY 01

Producer:   CVMP
Directors:   Roderick E. Stevens
DOP:   Roderick E. Stevens


Format:  35mm (B&W, Infrared, Timelapse), 16mm (High Speed)

 
TAOS: The Movie

Director:     Brandon Schmid
D.P.:   Roderick E. Stevens

Items of interest:
DVCam Indie Feature shot with the Sony DSR 500 WS camera on location in Taos, New Mexico.
REVEILLE

Producer:   Donovan & Adam Montierth, Jason Walters
Director:     Adam Montierth
DOP:   Roderick E. Stevens

Format:  35mm (spherical)
   
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Since 07/01/2003